( Scroll all the way down to see the graded footage.) A still from our time with the Sigma fp’s footage, seen in DaVinci Resolve. As a producer who needs to make equipment choices to best equip both my production and post-production teams, the fp gives me an option I never thought was possible: cinema-level color grading possibilities in a production-friendly package. As a company that’s worked with a wide gear spectrum over the years, the files out of the fp make us excited about what Sigma is bringing to the production and post-production landscape. Working on tight deadline under an embargo agreement, we were amazed by what we saw in the Cinema DNG files shot by our friend and colleague, Graham Sheldon -this footage was some of the most gradable footage we’ve ever dealt with! Working in DaVinci Resolve, we were blown away by what we found. My team and I recently had the opportunity to work with some of the first footage captured by the new Sigma fp mirrorless camera in North America.
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